Ang 672

ਮੁਨਿ ਪਤਿ ਸੰਗਿ ਲਏ ਰਿਖ ਸੈਨਾ ॥

mun pat sa(n)g le rikh sainaa ||

ਮੁਖ ਛਬਿ ਦੇਖਿ ਲਜਤ ਜਿਹ ਮੈਨਾ ॥

mukh chhab dhekh lajat jeh mainaa ||

The king of sages was moving alongwith a large gathering of sages and seeing the beauty of his face, even the god of love was feeling shy

ਤੀਰ ਤੀਰ ਤਾ ਕੇ ਚਲਿ ਗਏ ॥

teer teer taa ke chal ge ||

ਮੁਨਿ ਪਤਿ ਬੈਠ ਰਹਤ ਪਛ ਭਏ ॥੪੫੩॥

mun pat baiTh rahat pachh bhe ||453||

The sages passed near him and the king of sages also sat there.453.

ਅਨੂਪ ਨਰਾਜ ਛੰਦ ॥

anoop naraaj chha(n)dh ||

ANOOP NARAAJ STANZA

ਅਨੂਪ ਗਾਤ ਅਤਿਭੁਤੰ ਬਿਭੂਤ ਸੋਭਤੰ ਤਨੰ ॥

anoop gaat atibhuta(n) bibhoot sobhata(n) tana(n) ||

The bodies of the sages were marvelous and their magnificence were unique

ਅਛਿਜ ਤੇਜ ਜਾਜੁਲੰ ਅਨੰਤ ਮੋਹਤੰ ਮਨੰ ॥

achhij tej jaajula(n) ana(n)t mohata(n) mana(n) ||

Their luster was indestructible and they allured the innumerable minds

ਸਸੋਭ ਬਸਤ੍ਰ ਰੰਗਤੰ ਸੁਰੰਗ ਗੇਰੂ ਅੰਬਰੰ ॥

sasobh basatr ra(n)gata(n) sura(n)g geroo a(n)bara(n) ||

Their clothes were beautifully dyed in ochre colour

ਬਿਲੋਕ ਦੇਵ ਦਾਨਵੰ ਮਮੋਹ ਗੰਧ੍ਰਬੰ ਨਰੰ ॥੪੫੪॥

bilok dhev dhaanava(n) mamoh ga(n)dhraba(n) nara(n) ||454||

, Seeing which the gods and demons, men and Gnadharvas were all fascinated.454.

ਜਟਾ ਬਿਲੋਕਿ ਜਾਨਵੀ ਜਟੀ ਸਮਾਨ ਜਾਨਈ ॥

jaTaa bilok jaanavee jaTee samaan jaaniee ||

Seeing the matted locks of the sage, the Ganges was considering him as Shiva and

ਬਿਲੋਕਿ ਲੋਕ ਲੋਕਿਣੰ ਅਲੋਕਿ ਰੂਪ ਮਾਨਈ ॥

bilok lok lokina(n) alok roop maaniee ||

The beings of all the worlds accepted him as one containing supernatural elegance

ਬਜੰਤ ਚਾਰ ਕਿੰਕੁਰੀ ਭਜੰਤ ਭੂਤ ਭੈਧਰੀ ॥

baja(n)t chaar ki(n)kuree bhaja(n)t bhoot bhaidharee ||

All the beings, in His fear, playing on the fiddle, were repeating His Name

ਪਪਾਤ ਜਛ ਕਿੰਨ੍ਰਨੀ ਮਮੋਹ ਮਾਨਨੀ ਮਨੰ ॥੪੫੫॥

papaat jachh ki(n)nranee mamoh maananee mana(n) ||455||

The Yaksha and Kinnar women were all getting allured.455.

ਬਚਿਤ੍ਰ ਨਾਰਿ ਚਿਤ੍ਰਣੀ ਪਵਿਤ੍ਰ ਚਿਤ੍ਰਣੰ ਪ੍ਰਭੰ ॥

bachitr naar chitranee pavitr chitrana(n) prabha(n) ||

The beautiful Chitarni (a kind of women) women, getting pleased on that poure Lord,

ਰ ਰੀਝ ਜਛ ਗੰਧ੍ਰਬੰ ਸੁਰਾਰਿ ਨਾਰਿ ਸੁ ਪ੍ਰਭੰ ॥

r reejh jachh ga(n)dhraba(n) suraar naar su prabha(n) ||

The women of Yakshas, Gandharvas and gods, were remembering Him

ਕੜੰਤ ਕ੍ਰੂ ਕਿੰਨ੍ਰਣੀ ਹਸੰਤ ਹਾਸ ਕਾਮਿਣੀ ॥

kaRa(n)t kraoo ki(n)nranee hasa(n)t haas kaaminee ||

ਲਸੰਤ ਦੰਤਣੰ ਦੁਤੰ ਖਿਮੰਤ ਜਾਣੁ ਦਾਮਿਣੀ ॥੪੫੬॥

lasa(n)t dha(n)tana(n) dhuta(n) khima(n)t jaan dhaaminee ||456||

The evil Kinnar women were getting angry and other pretty ladies laughingly exhibited their teeth making the lightning shyful.456.

ਦਲੰਤ ਪਾਪ ਦੁਭਰੰ ਚਲੰਤ ਮੋਨਿ ਸਿੰਮਰੰ ॥

dhala(n)t paap dhubhara(n) chala(n)t mon si(n)mara(n) ||

Seeing him, the formidable sins were destroyed and the silent remembrance of the Lord was the natural outcome

ਸੁਭੰਤ ਭਾਰਗਵੰ ਪਟੰ ਬਿਅੰਤ ਤੇਜ ਉਫਣੰ ॥

subha(n)t bhaaragava(n) paTa(n) bia(n)t tej ufana(n) ||

On their bodies, their garments were keeping under control the rising radiance

ਪਰੰਤ ਪਾਨਿ ਭੂਚਰੰ ਭ੍ਰਮੰਤ ਸਰਬਤੋ ਦਿਸੰ ॥

para(n)t paan bhoochara(n) bhrama(n)t sarabato dhisa(n) ||

The beings of all the directions, wandering and coming there, were falling at his feet

ਤਜੰਤ ਪਾਪ ਨਰ ਬਰੰ ਚਲੰਤ ਧਰਮਣੋ ਮਗੰ ॥੪੫੭॥

taja(n)t paap nar bara(n) chala(n)t dharamano maga(n) ||457||

All the beings forsaking their sins were following the path of Dharma on reaching there.457.

ਬਿਲੋਕਿ ਬੀਰਣੋ ਦਯੰ ਅਰੁਝ ਛਤ੍ਰ ਕਰਮਣੰ ॥

bilok beerano dhaya(n) arujh chhatr karamana(n) ||

There he saw two kshatriya fighters absorbed in their actions of war

ਤਜੰਤਿ ਸਾਇਕੰ ਸਿਤੰ ਕਟੰਤ ਟੂਕ ਬਰਮਣੰ ॥

taja(n)t saika(n) sita(n) kaTa(n)t Took baramana(n) ||

The warriors were abandoning their bows and cutting the armours seeing that fighting

ਥਥੰਭ ਭਾਨਣੋ ਰਥੰ ਬਿਲੋਕਿ ਕਉਤਕੰ ਰਣੰ ॥

thatha(n)bh bhaanano ratha(n) bilok kautaka(n) rana(n) ||

ਗਿਰੰਤ ਜੁਧਣੋ ਛਿਤੰ ਬਮੰਤ ਸ੍ਰੋਣਤੰ ਮੁਖੰ ॥੪੫੮॥

gira(n)t judhano chhita(n) bama(n)t sronata(n) mukha(n) ||458||

The chariot of the sun stopped there and there the fighters falling on the earth, were throwing out blood from their mouths.458.

ਫਿਰੰਤ ਚਕ੍ਰਣੋ ਚਕੰ ਗਿਰੰਤ ਜੋਧਣੋ ਰਣੰ ॥

fira(n)t chakrano chaka(n) gira(n)t jodhano rana(n) ||

The discs were being discharged and the fighters were falling

ਉਠੰਤ ਕ੍ਰੋਧ ਕੈ ਹਠੀ ਠਠੁਕਿ ਕ੍ਰੁਧਿਤੰ ਭੁਜੰ ॥

auTha(n)t krodh kai haThee ThaThuk krudhita(n) bhuja(n) ||

The persistent warriors were again rising in anger

ਭ੍ਰਮੰਤ ਅਧ ਬਧਤੰ ਕਮਧ ਬਧਤੰ ਕਟੰ ॥

bhrama(n)t adh badhata(n) kamadh badhata(n) kaTa(n) ||

ਪਰੰਤ ਭੂਤਲੰ ਭਟੰ ਬਕੰਤ ਮਾਰੂੜੈ ਰਟੰ ॥੪੫੯॥

para(n)t bhootala(n) bhaTa(n) baka(n)t maarooRai raTa(n) ||459||

Having been cut into half in the form of headless trunks were wandering and those falling on the earth were shouting “kill, kill”.459.

ਪਿਪੰਤ ਅਸਵ ਭਟੰਤ ਭਿਰੰਤ ਦਾਰੁਣੋ ਰਣੰ ॥

pipa(n)t asav bhaTa(n)t bhira(n)t dhaaruno rana(n) ||

The horses of the warriors were fighting in that dreadful war

ਬਹੰਤ ਤੀਛਣੋ ਸਰੰ ਝਲੰਤ ਝਾਲ ਖੜਿਗਿਣੰ ॥

baha(n)t teechhano sara(n) jhala(n)t jhaal khaRigina(n) ||

The sharp arrows were being seen

ਉਠੰਤ ਮਾਰੂੜੋ ਰਣੰ ਬਕੰਤ ਮਾਰਣੋ ਮੁਖੰ ॥

auTha(n)t maarooRo rana(n) baka(n)t maarano mukha(n) ||

The fighters were rising with the shouts of “kill, kill”

ਚਲੰਤ ਭਾਜਿ ਨ ਹਠੀ ਜੁਝੰਤ ਦੁਧਰੰ ਰਣੰ ॥੪੬੦॥

chala(n)t bhaaj na haThee jujha(n)t dhudhara(n) rana(n) ||460||

And they were not running away from that battlefield with persistence.460.

ਕਟੰਤ ਕਾਰਮੰ ਸੁਭੰ ਬਚਿਤ੍ਰ ਚਿਤ੍ਰਤੰ ਕ੍ਰਿਤੰ ॥

kaTa(n)t kaarama(n) subha(n) bachitr chitrata(n) kirata(n) ||

ਸਿਲੇਣਿ ਉਜਲੀ ਕ੍ਰਿਤੰ ਬਹੰਤ ਸਾਇਕੰ ਸੁਭੰ ॥

silen ujalee kirata(n) baha(n)t saika(n) subha(n) ||

All were cutting one another in a strange way and the white arrows like the slab were flowing (like a stream)

ਬਿਲੋਕਿ ਮੋਨਿਸੰ ਜੁਧੰ ਚਚਉਧ ਚਕ੍ਰਤੰ ਭਵੰ ॥

bilok monisa(n) judha(n) chachaudh chakrata(n) bhava(n) ||

ਮਮੋਹ ਆਸ੍ਰਮੰ ਗਤੰ ਪਪਾਤ ਭੂਤਲੀ ਸਿਰੰ ॥੪੬੧॥

mamoh aasrama(n) gata(n) papaat bhootalee sira(n) ||461||

Seeing that war the whole world was dazzled and wonder-struck and moving towards that hermitage, it was falling down upon the earth under the impact of attachment.461.

ਸਭਾਰ ਭਾਰਗ ਬਸਨਿਨੰ ਜਜਪਿ ਜਾਪਣੋ ਰਿਖੰ ॥

sabhaar bhaarag basanina(n) jajap jaapano rikha(n) ||

ਨਿਹਾਰਿ ਪਾਨ ਪੈ ਪਰਾ ਬਿਚਾਰ ਬਾਇਸਵੋ ਗੁਰੰ ॥

nihaar paan pai paraa bichaar baisavo gura(n) ||

That woman, carrying her utensils on her head, was moving remembering her husband like a sage and the sag seeing her and falling at her feet adopted her as the twenty-second Guru

ਬਿਅੰਤ ਜੋਗਣੋ ਸਧੰ ਅਸੰਖ ਪਾਪਣੋ ਦਲੰ ॥

bia(n)t jogano sadha(n) asa(n)kh paapano dhala(n) ||

ਅਨੇਕ ਚੇਲਕਾ ਲਏ ਰਿਖੇਸ ਆਸਨੰ ਚਲੰ ॥੪੬੨॥

anek chelakaa le rikhes aasana(n) chala(n) ||462||

That great sage, who had performed innumerable Yogic practices and destroying many sins, moved towards his abode.462.

ਇਤਿ ਹਰ ਬਾਹਤਾ ਬਾਈਸਵੋ ਗੁਰੂ ਇਸਤ੍ਰੀ ਭਾਤ ਲੈ ਆਈ ਸਮਾਪਤੰ ॥੨੨॥

eit har baahataa baieesavo guroo isatree bhaat lai aaiee samaapata(n) ||22||

End of the description of the adoption of the Ploughman as the Twenty-second Guru, and his wife bringing the food.

ਅਥ ਤ੍ਰਿਆ ਜਛਣੀ ਤੇਈਸਮੋ ਗੁਰੂ ਕਥਨੰ ॥

ath triaa jachhanee teieesamo guroo kathana(n) ||

Now begins the description of adopting a Yaksha woman as the twenty-third Guru

ਅਨੂਪ ਨਰਾਜ ਛੰਦ ॥

anoop naraaj chha(n)dh ||

ANOOP NARAAJ STANZA

ਬਜੰਤ ਨਾਦ ਦੁਧਰੰ ਉਠੰਤ ਨਿਸਨੰ ਸੁਰੰ ॥

baja(n)t naadh dhudhara(n) uTha(n)t nisana(n) sura(n) ||

ਭਜੰਤ ਅਰਿ ਦਿਤੰ ਅਘੰ ਬਿਲੋਕਿ ਭਾਰਗਵੰ ਭਿਸੰ ॥

bhaja(n)t ar dhita(n) agha(n) bilok bhaaragava(n) bhisa(n) ||

The trumpets sounded and there was thundering voice seeing the ochre-coloured garb the sins were destroyed

ਬਿਲੋਕਿ ਕੰਚਨੰ ਗਿਰੰਤ ਤਜ ਮਾਨੁਖੀ ਭੁਅੰ ॥

bilok ka(n)chana(n) gira(n)t taj maanukhee bhua(n) ||

ਸ ਸੁਹਕ ਤਾਪਸੀ ਤਨੰ ਅਲੋਕ ਲੋਕਣੋ ਬਪੰ ॥੪੬੩॥

s suhak taapasee tana(n) alok lokano bapa(n) ||463||

The gold was seen being showered on the earth inhabitated by human beings and the bodies of the ascetic were supernatural glory.463.

ਅਨੇਕ ਜਛ ਗੰਧ੍ਰਬੰ ਬਸੇਖ ਬਿਧਿਕਾ ਧਰੀ ॥

anek jachh ga(n)dhraba(n) basekh bidhikaa dharee ||

ਨਿਰਕਤ ਨਾਗਣੀ ਮਹਾ ਬਸੇਖ ਬਾਸਵੀ ਸੁਰੀ ॥

nirakat naaganee mahaa basekh baasavee suree ||

Many Yaksha, Gandharava, Naga and god’s women were dancing

ਪਵਿਤ੍ਰ ਪਰਮ ਪਾਰਬਤੀ ਅਨੂਪ ਆਲਕਾਪਤੀ ॥

pavitr param paarabatee anoop aalakaapatee ||

ਅਸਕਤ ਆਪਿਤੰ ਮਹਾ ਬਿਸੇਖ ਆਸੁਰੀ ਸੁਰੀ ॥੪੬੪॥

asakat aapita(n) mahaa bisekh aasuree suree ||464||

There was Parvati and the wife of the unique Kuber there were seated the women off gods and demons.464.

ਅਨੂਪ ਏਕ ਜਛਣੀ ਮਮੋਹ ਰਾਗਣੋ ਮਨੰ ॥

anoop ek jachhanee mamoh raagano mana(n) ||

ਘੁਮੰਤ ਘੂਮਣੰ ਛਿਤੰ ਲਗੰਤ ਸਾਰੰਗੋ ਸਰੰ ॥

ghuma(n)t ghoomana(n) chhita(n) laga(n)t saara(n)go sara(n) ||

There was there a unique Yakssha woman, who was revolving in a circle as if she was struck by an arrow

ਬਿਸਾਰਿ ਨੇਹ ਗੇਹਣੰ ਸਨੇਹ ਰਾਗਣੋ ਮਨੰ ॥

bisaar neh gehana(n) saneh raagano mana(n) ||

ਮ੍ਰਿਗੀਸ ਜਾਣੁ ਘੁਮਤੰ ਕ੍ਰਿਤੇਣ ਕ੍ਰਿਸ ਕ੍ਰਿਤੀ ਸਰੰ ॥੪੬੫॥

miragees jaan ghumata(n) kiraten kiras kiratee sara(n) ||465||

Abandoning all kinds of desires, her mind was absorbed only in music she was moving agitated like a deer.465.

ਰਝੀਝ ਰਾਗਣੋ ਚਿਤੰ ਬਦੰਤ ਰਾਗ ਸੁਪ੍ਰਭੰ ॥

rajheejh raagano chita(n) badha(n)t raag suprabha(n) ||

ਬਜੰਤ ਕਿੰਗੁਰੀ ਕਰੰ ਮਮੋਹ ਆਸ੍ਰਮੰ ਗਤੰ ॥

baja(n)t ki(n)guree kara(n) mamoh aasrama(n) gata(n) ||

She was absorbed in singing in various male and female musical modes and playing on her fiddle, she went lovingly towards the hermitage

ਸਸਜਿ ਸਾਇਕੰ ਸਿਤੰ ਕਪੰਤ ਕਾਮਣੋ ਕਲੰ ॥

sasaj saika(n) sita(n) kapa(n)t kaamano kala(n) ||

ਭ੍ਰਮੰਤ ਭੂਤਲੰ ਭਲੰ ਭੁਗੰਤ ਭਾਮਿਣੀ ਦਲੰ ॥੪੬੬॥

bhrama(n)t bhootala(n) bhala(n) bhuga(n)t bhaaminee dhala(n) ||466||

That beautiful damsel was decorated with the arrows of her art and the group of those beautiful women was enjoying the earthly existence.466.

ਤੋਮਰ ਛੰਦ ॥

tomar chha(n)dh ||

TOMAR STANZA

ਗੁਨਵੰਤ ਸੀਲ ਅਪਾਰ ॥

gunava(n)t seel apaar ||

ਦਸ ਚਾਰ ਚਾਰ ਉਦਾਰ ॥

dhas chaar chaar udhaar ||

She was virtuous very gentle and knower of eighteen sciences,

ਰਸ ਰਾਗ ਸਰਬ ਸਪੰਨਿ ॥

ras raag sarab sapa(n)n ||

ਧਰਣੀ ਤਲਾ ਮਹਿ ਧੰਨਿ ॥੪੬੭॥

dharanee talaa meh dha(n)n ||467||

Well versed in music and full of essence, She was fortunate enough on earth.467.

ਇਕ ਰਾਗ ਗਾਵਤ ਨਾਰਿ ॥

eik raag gaavat naar ||

ਗੁਣਵੰਤ ਸੀਲ ਅਪਾਰ ॥

gunava(n)t seel apaar ||

A woman, gentle and virtuous, was singing a musical mode

ਸੁਖ ਧਾਮ ਲੋਚਨ ਚਾਰੁ ॥

sukh dhaam lochan chaar ||